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    Título Original: Cazuza – O Tempo Não Pára Título no Brasil: Cazuza – O Tempo Não Pára Direção: , Walter Carvalho Gênero: Ano de Lançamento: Duração: 98 min País: Brasil Sinopse: A vida louca que marcou o percurso profissional e pessoal de Cazuza (Daniel de Oliveira), do início da carreira, em 1981, até a morte em 1990, aos 32 anos: o sucesso com o Barão Vermelho, a carreira solo, as músicas que falavam dos anseios de uma geração, o comportamento transgressor e a coragem de continuar a carreira, criando e se apresentando, mesmo debilitado pela Aids. Hindi nga pala sina Sheryl at Julius ang ikakasal, kundi ang kabarkada ni Julius na si Raymond at ang soon-to-be ex-girlfriend nitong si Janine. Pagkagaling kay Francine, pumunta si Sheryl sa counter ng MAC sa mall at nagpa-trial makeup, atsaka bumili ng ilang basics na matagal na niyang gusto ngunit hindi niya binibili dahil mahal. Heto ang kaibigan niya, si Julius.” “Good morning po,” sabi ni Julius, sabay abot ng kamay niya. Napanganga silang tatlo: si Daddy, na nagpigil ng luha sa ganda ng prinsesa niya; si Mommy Tina, na gustong kumuha ng camera kahit hindi na ito J-S Prom; at si Julius, na hindi makahinga at hindi makapaniwala sa napakagandang vision na nasa harap niya. ” tanong ni Sheryl, pero flattered siya sa mga stunned expressions ng kanyang intended audience. Be nice to him ha.” “Hindi ka ba giginawin sa suot mo, anak?


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    Now I’m associated with him,” the second contestant said.“Try explaining that to your mother.” Ironically, he said, the show’s contract specifically stipulated that cast members should not appear in sex tapes or naked pictures that show contestants’ faces.

    The first contestant said that he confronted Logo producers after recognizing Sepulveda from a sex tape he remembered seeing — the Prince Charming has since claimed an ex-boyfriend posted a private video without his permission.

    The first suitor said he went on the show for the experience, but not of the kind that has now emerged.

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    He's thoroughly original, which is one reason he's been so successful.

    But we worried, 'Does that adapt itself to classical theater, does that adapt itself to the kind of training that we're doing?

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